For more information please contact :
PT. Aura Bali Craft
Office and Factory
Jl. Raya Dalung – Abianbase No. 95,
Br. Kaja, Ds. Dalung, Kc. Kuta Utara,
Badung, Bali – Indonesia 80361
Telp : +62 361 8640323
Fax : +62 361 439663
E-mail : info@aurabalicraft.com
Contact Person
Gus Nanda
Gus Nanda
Design, IT & Marketing Director (Owner)
Mobile GSM : +62 81338285434
Mobile CDMA : +62 361 8037955
E-mail : gusnanda@aurabalicraft.com
IM :
Nyoman Yudiana
Nyoman Yudiana
Operation & Production Director (Owner)
Mobile GSM : +62 8124680989
Mobile CDMA : +62 361 8640313
E-mail : nyoman@aurabalicraft.com
IM :
Map Aura Bali Craft
Map - PT. Aura Bali Craft
The Indus Valley Civilization was followed by the Vedic age (1500 B.C.), when the Vedas were written. There are numerous references in the Vedas on artisans involved in pottery making, weaving, wood crafting etc. The Rig Veda in particular refers to a variety of pottery made from clay, wood and metal. It also refers to weavers and weaving.
Handicraft, also known as craft work or simply craft, is a type of work where useful and decorative devices are made completely by hand or using only simple tools. Usually the term is applied to traditional means of making goods. The individual artisanship of the items is a paramount criterion, such items often have cultural and/or religious significance. Items made by mass production or machines are not handicrafts.
The term craft also refers to the products of artistic production or creation that require a high degree of tacit knowledge, are highly technical, require specialized equipment and/or facilities to produce, involve manual labour or a blue-collar work ethic, are accessible to the general public and are constructed from materials with histories that exceed the boundaries of western art history, such as ceramics, glass, textiles, metal and wood. These products are produced within a specific community of practice and while they differ from the products produced within the communities of art and design, the boundaries of such often overlap resulting in hybrid objects. Additionally, as the interpretation and validation of art is frequently a matter of context, an audience may perceive crafted objects as art objects when these objects are viewed within an art context, such as in a museum or in a position of prominence in one’s home.